An Alternative to Traditional White
For the bride who wants something warmer, softer and entirely her own, ivory and nude offer a quietly compelling alternative to traditional gowns.
We have brought together a considered edit of our favourite styles in ivory and nude, each one chosen for the woman who approaches her wedding with the same discernment she brings to every other dressing decision. Here is what to know about each piece.
Ivory has always existed, but right now it feels like a considered choice. It catches light with warmth rather than brightness, sits against the skin with intimacy, and signals exactly the kind of quiet discernment that defines modern luxury dressing.
Preston
Ivory silk satin, shaped for the female form.
Preston gives silk satin a contemporary shape, designed to follow and celebrate the female form, with a surface that is at once luxurious and understated. In ivory, the tone has a warmth that makes it feel genuinely personal. Preston is for the bride who wants to feel like herself-only more so.
Lace is having a renaissance. Placed over nude and skin-toned bases, it takes on a modern, almost sculptural quality. The result feels simultaneously timeless and fresh: a fabric with history, reframed for the bride who dresses with discernment.
Azolla
Double satin and diaphanous lace.
Azolla is a study in contrast. Cut on the bias from fluid double satin that skims the body, it features chiffon-lined lace panels that create a sheer, skin-revealing effect with genuine refinement. A deep V neckline balances delicacy with precision; barely-there straps frame the shoulders; a fit-and-flare skirt falls into a soft train. Minimalist in its lines, dramatic in its diaphaneity, Azolla is for the bride who wants to feel as though she is wearing barely anything at all, and look entirely exceptional.
